Let the songs begin. Let the music play. Get ready for Supertonic’s next gig Thunderbolt and Lightning, an epic tribute concert set to rock Queen fans and choir buffs alike at the Hunter Lounge this September.
This choral spectacular has it all - the choir’s powerful sound from its 56 singers, a full rock band, exciting solos and quartets, and heart-stopping takes on your favourite Queen anthems. Thunderbolt and Lightning aims to be as diverse as Queen’s extensive catalogue - from the light pop shuffle of You’re My Best Friend to the epic pastiche of musical styles in Bohemian Rhapsody.
A quartet of our talented operatic singers will tackle Freddie Mercury and Montserrat Caballe’s collaboration in Barcelona, written for the 1992 Olympics, while The Prophet’s Song from their progressive album A Night At The Opera features the choir imitating their looped sample recording techniques in this mammoth and lesser known track. You’ll hear the full force of our rich sound in the unforgettable harmonies of Somebody to Love, and in Who Wants To Live Forever the choir starts with a single note that flows and grows into a spine-tingling 24-part chorus.
Supertonic (and its director, Isaac Stone) aims to take choral music to new places and new heights with its innovative and no-compromises concerts, and this one promises to be the most exhilarating yet.
We’re gonna make a Supertonic fan out of you!
Update: This concert is now sold out, and the waitlist for tickets is also full. If you have purchased a ticket that you are no longer able to use, please email firstname.lastname@example.org. We can then refund your ticket and pass it on to someone on the existing waitlist.
Supertonic is excited to announce its first concert series of the year, Vanishing Voices: Music honouring our endangered languages.
Vanishing Voices showcases seven languages that have suffered periods of decline, through colonial invasion, assimilationist government policy and economic desperation. Each one of the world’s 6000 languages is a window into our communities, our souls and our history, yet every two weeks we lose another forever irretrievable tongue. Every language has its own unique beauty, poetry and cadence, and deserves to have its story told and its people heard.
For some of these languages, like Welsh, cultural pride has allowed its people to fight for their right to speak and experience their mother tongue; others, such as Nahuatl in Mexico, are struggling to survive outside of small rural communities where literacy is rare and the majority of native speakers are elderly.
The harrowing account of the Guanches people, natives of the Canary Islands near the north-western coast of Africa, can be heard in the piece Aicá Maragá, where the singers lament the brutal murders of their families and the destruction of their villages by Spanish conquerors, with no option left but to give up all they know to marry their invaders, lest they too be destroyed. And much like the families of those who lived and loved through it, the Guanche language has left this world forever.
Snowforms depicts the snowy, icy northern region of Canada inhabited by its First Nations people, painted by a slow, slinking, haunted melody through a graphic score of flowing lines and beautiful shapes. Stephen Leek’s popular Ngana contrasts sharp accented textures with legato lines and complicated polyphony, while Naye-e Sin takes the audience on a rollercoaster ride of atonality, soundscaping vocalisations and body percussion.
Aotearoa has our own beautiful and endangered language in Te Reo Māori, and the centrepiece for the concert is a new setting of music written as a collaboration between Supertonic, its director Isaac Stone and young Maori scholar Vincent Olsen-Reeder. Vincent has provided his beautiful original poetry in Te Reo to form an all-new song cycle, to be premiered by Supertonic in Vanishing Voices. In keeping with the theme of empowering Maori youth, the concert will be hosted by two Maori rangatahi: Marama Butler and Kaylim Poese-Nathan, both Year 12 students at Tawa College.
Now in only its fourth year, Supertonic has cemented its place amongst Wellington’s thriving musical community and is known for combining accessible, provocative and enjoyable concerts with a rich, vibrant and immersive sound. The choir believes that strong friendships, trust in one another, and building enduring relationships is what creates special music for both its singers and its audiences. By honouring our endangered languages through the universal language of music, Supertonic hopes to present its most thought-provoking and captivating concert yet.
Supertonic and The Wellington Footlights Society are proud to present Showmance, a concert celebrating friendship, community, and musical theatre.
A first-time collaboration of the choir and musical theatre society, these two groups will bring their own strengths to two performances at Te Whaea Theatre on December 10. Audiences of Showmance can expect to be wowed by old favourites and newer show tunes alike, with the excitement of 80 performers giving it their all.
The two groups are excited to bring you this special, two performance only show under the musical direction of Supertonic director Isaac Stone, and Footlights’ Michael Stebbings (Legally Blonde) in a concert showcasing the strength of musical collaboration, feel-good vocal power and theatrical spectacle. See you there!
Supertonic is proud to present "Minor Alterations", its first entirely jazz based concert, at Hannah Playhouse on Saturday October 8. Far from the same jazz choir numbers you've all heard before, this one-night-only show pulls the power of jazz into songs from totally different origins, complete with a three-piece combo and the effervescent vocals of soprano Imogen Thirlwall.
Will Todd's Mass in Blue twists the standard Latin Mass into a punchy uplifting jazz ride, delving into scorching blues, up-tempo beats and swinging into a jazz waltz. This enormously popular music doesn't hold anything back - the soaring voices of the 56-strong choir interplays with the dramatic soprano soloist, supported by the rich blues and driving groove of the band.
Paired with this is a series of well-known songs reinvigorated through the jazz idiom. My Favourite Things becomes the story of a modern day jazz singer, balancing the demands of the everyday with a rich musical life; Scarborough Fair takes the popular Simon and Garfunkel melody down a haunting path - a treat for fans of folk and jazz alike; Queen's Crazy Little Thing Called Love remains familiar and toe-tappingly catchy.
Supertonic's singers pride themselves on presenting appealing, varied and high quality choral music to Wellington and beyond. Despite being less than three years old, the choir has already made a name for itself as a "new phenomenon on the Wellington choral scene". Equally at home with traditional classical music such as Vaughan Williams' Mass in G and Britten’s Rejoice in the Lamb, Supertonic enjoys presenting more boundary-pushing programmes such as Fighting in the Dance Hall, a pairing of arrangements from Fleetwood Mac’s Rumours and David Bowie’s Hunky Dory.
The choir's director is Isaac Stone, a teacher of classroom music and leader of the choral programme at Tawa College in Wellington. Isaac places a premium on making choral music that is accessible but challenging - creating concerts that inspire both new and experienced singers, as well as capturing and captivating a new audience for choral music in Wellington.
Tickets are Waged $25 / Unwaged $15 and can be purchased from hannahplayhouse.org.nz.
Supertonic is delighted to announce its 2016 tour to Hawke’s Bay, with an intimate concert in the beautiful surroundings and acoustics of Church Road Winery's cellar on Saturday September 10, and a highly anticipated performance at the iconic Central Hawke’s Bay Municipal Theatre on Sunday September 11.
Comprising of 56 Wellington singers in their 20s and 30s, the avid young choir will present Sojourn, a programme of enchanting classical works and popular songs reinvigorated through the jazz idiom.
The programme embodies the changing of the seasons and the rejuvenation and vitality of spring through a variety of genres. Works by English composer Gustav Holst will feature, including his Six Folk Songs; quintessential traditional pieces examining themes of love, loss and adventure. In contrast, the choir will perform popular classics such as Scarborough Fair and My Favourite Things, all refreshed by a jazz twist. This complementary pairing highlights the communicative power of music, capturing and conveying emotion across the decades.
Supertonic's musical director Isaac Stone has led the choir since its inception in 2014. A teacher of classroom music and leader of the choral programme at Tawa College in Wellington, he places a premium on making choral music enjoyable and accessible to singers and audiences alike.
Over the last three years Supertonic has performed both traditional classical music such as Vaughan Williams' Mass in G and Britten’s Rejoice in the Lamb, as well as presenting more boundary-pushing programmes such as Fighting in the Dance Hall, which paired Fleetwood Mac’s Rumours with David Bowie’s Hunky Dory in a choral rock concert extravaganza.
The choir’s combination of technical skill and passion for the music they perform has Supertonic noted by critics as a new phenomenon in the Wellington choral scene.